5/20/2023 0 Comments The power and the glory greene![]() ![]() ![]() Crawford, Mixing Memory and Desire (University Park: Pennsylvania State University Press, 1982). ![]() Greene’s debt to Eliot is examined perceptively in F.D. Saul Bellow, Herzog (London: Penguin Books, 1964), pp. also, Ruth Wisse, The Schlemiel as Modern Hero (Chicago: Chicago University Press, 1971)ĭavid Galloway, The Absurd Hero in American Fiction (Austin: University of Texas Press, 1981). Ihab Hassan, Radical Innocence: studies in the contemporary American novel (Princeton: Princeton University Press, 1971), p. This process is experimental and the keywords may be updated as the learning algorithm improves. These keywords were added by machine and not by the authors. Nor is Becky herself an anti-heroine, Thackeray portraying her as a callous mother, a disloyal wife, and (he hints) a murderess. If Thackeray had declared much earlier that his aim in Vanity Fair was to defy tradition by creating ‘a novel without a hero’, his disavowal had been no more than a gesture - Amelia may be ridiculed by him for her excessive weeping and Dobbin for his large feet, but their devotion, their unflinching loyalty, and their high principles clearly win out against the scheming Becky Sharp who had seemed to occupy centre stage. In The Power and the Glory, Greene devised a method of coping with the problem of the protagonist in a manner that was not only brilliant but also unprecedented, the first effective portrayal in literature of the twentieth-century anti-hero. ![]()
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